Bonner Online-Bibliographie zur Comicforschung

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Objective: The Bonn Online Bibliography of Comics Research is an international bibliographic database for scholarly literature about comics, graphic novels, manga and related fields. Not included so far (with a few exceptions) are articles from fan magazines, newspapers and blogs. The Bonn Online Bibliography of Comics Research sees itself as a complement and supplement to similar undertakings that have a different (wider or narrower) approach, such as ComicsResearch.org or the comics research bibliography.

Usage: A click on the title shows more details of the individual references. Selected titles (ONLY the titles, of course not the texts themselves!) can be downloaded in various export formats (RTF, RIS, BibTeX, XML, …) for further use in your own documents or bibliographic software using the basket. Various standard bibliographic formats (MLA, APA etc.) can be selected in the preferences. Registered users can enter new references of their own, add private or public comments and excerpts to the entries, and create individual bibliographies. Authors can provide their texts for download as PDFs. Indications of errors or missing titles and supplementary information, especially in form of abstracts and short critical reviews, are always welcome!

Project manager: Dr. Joachim Trinkwitz, Dept. of German, Comparative and Cultural Studies, University of Bonn, Germany

 

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Sponsored by Gesellschaft für Comicforschung

 

Recent additions or edits

Ahmed, Maaheen: "Collages in Comics. The Case of Dave McKean." In: Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil (Hrsg.): Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Paris: L’Harmattan, 2017, S. 53–74.
Added by: joachim 20 Jul 2017 14:16:14 UTC Pop. 0%
Lund, Martin: "Climbing the Hill. Will Eisner’s Heritage Fabrication and Comics Identity Politics in The Dreamer (1986) and After." In: Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil (Hrsg.): Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Paris: L’Harmattan, 2017, S. 119–136.
Added by: joachim 20 Jul 2017 14:10:36 UTC Pop. 0%
Lewis, A. David und Martin Lund (Hrsg.): Muslim Superheroes. Comics, Islam, and Representation. (Mizan, 1.) Cambridge: Harvard Univ. Press, 2017.
Added by: joachim 20 Jul 2017 13:58:54 UTC Pop. 0%
Endres, Christian: "Helden für alle. Die Superheldenserie The 99 als Brückenschlag zwischen westlicher und muslimischer Kultur." In: Das Science Fiction Jahr 8 (2011), S. 749–754.
Added by: joachim 20 Jul 2017 12:35:38 UTC Pop. 0%
Platthaus, Andreas: "Auf der Spur des absoluten Bildes. Werk und Welt von Moebius alias Jean Giraud alias Blueberry alias Arzach alias John Difool – die Geschichte eines Genies als Geschichte einer Spaltung." In: Das Science Fiction Jahr 10 (2012), S. 177–200.
Added by: joachim 20 Jul 2017 12:27:45 UTC Pop. 0%
Kasper, Hartmut: "Imagination im Quadrat. Aus Calvin wird Spaceman Stiff: Wie Comic-Legende Bill Watterson die Weiten des Weltraums erobert." In: Das Science Fiction Jahr 10 (2014), S. 334–342.
Added by: joachim 20 Jul 2017 12:18:50 UTC Pop. 0%
Grossman, Austin: "Es gibt kein Zurück. Superhelden – Helden wie du und ich." In: Das Science Fiction Jahr 8 (2009), S. 398–406.
Last edited by: joachim 20 Jul 2017 12:15:39 UTC Pop. 0%
Hughes, David: "Who Watches the Watchmen? Mission impossible: Wie Alan Moores Watchmen doch noch verfilmt wurde." In: Das Science Fiction Jahr 8 (2009), S. 295–318.
Last edited by: joachim 20 Jul 2017 12:15:13 UTC Pop. 0%
Kasper, Hartmut: "I Shall Destroy All the Civilized Planets! Jenseits der USA: Der Superheld als gescheiterte Existenz." In: Das Science Fiction Jahr 8 (2009), S. 76–94.
Last edited by: joachim 20 Jul 2017 12:14:49 UTC Pop. 0%
Koch, Boris: "Der Held, der die dritte Tür wählt. Hellboys Kampf gegen den kosmischen Schrecken." In: Das Science Fiction Jahr 8 (2009), S. 333–344.
Last edited by: joachim 20 Jul 2017 12:14:20 UTC Pop. 0%
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