Bonner Online-Bibliographie zur Comicforschung

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Grennan, Simon und Laurence Grove (Hrsg.): Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. (Studies in European Comics and Graphic Novels, 4.) Leuven: Leuven Univ. Press, 2015. (264 S.)  
Last edited by: Deleted user 16 Jan 2018 21:06:50 UTC Pop. 0%
Grennan, Simon: A Theory of Narrative Drawing. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2017. (277 S.)  
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Skilton, David und Simon Grennan: "Drawing Style, Genre and the Destabilization of Register in a Graphic Adaptation of Trollope’s 1878 Novel John Caldigate." In: Stephen E. Tabachnick und Esther Bendit Saltzman (Hrsg.): Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Jefferson, London: McFarland, 2015, S. 147–160.  
Last edited by: Deleted user 16 Jan 2018 20:46:34 UTC Pop. 0%
Ferguson, Christine: "Illustrating the Abyss. An Interview with Catherine Anyango on Heart of Darkness." In: Stephen E. Tabachnick und Esther Bendit Saltzman (Hrsg.): Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Jefferson, London: McFarland, 2015, S. 194–204.  
Last edited by: Deleted user 16 Jan 2018 19:52:05 UTC Pop. 0%
Grennan, Simon: "Register in the guise of genre. Instrumental adaptation in the early comics of Grennan & Sperandio." In: Studies in Comics 4.1 (2013), S. 75–88.  
Last edited by: Deleted user 16 Jan 2018 19:41:32 UTC Pop. 0%
Fox, M. Steven. 2018, Zugriff: 16. Jan. Comixjoint. Underground Comix Collection. [Online]. Available: http://comixjoint.com/  
Added by: joachim 16 Jan 2018 19:30:18 UTC Pop. 0%
Lent, John A. "Fear [of] and Loafing [with] Ralph Steadman in Turkey." In: International Journal of Comic Art 4.2 (2002), S. 84–123.  
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Reyns-Chikuma, C(h)ris: "De Bécassine à Yoko Tsuno. Réflexions sur les stéréotypes, les oublis et la renaissance de quelques héroïnes créées par des auteurs masculins." In: Alternative Francophone 1.9 (2016), S. 155–170, (Zugriff: 15. Jan. 2018)  
Added by: joachim 15 Jan 2018 20:12:48 UTC Pop. 0%
Nayar, Pramod K. "From graphic passing to witnessing the graphic. Racial identity and public self-fashioning in Incognegro." In: Image & Text 28 (2016), S. 7–26, (Zugriff: 22. März 2017)  
Last edited by: joachim 15 Jan 2018 19:54:04 UTC Pop. 0%
Fägersten, Kristy Beers: "English-language swearing as humor in Swedish comic strips." In: Journal of Pragmatics 121 (2017), S. 175–187.  
Added by: joachim 13 Jan 2018 18:46:15 UTC Pop. 0%
Gedin, David (Hrsg.): De tecknade seriernas språk. Uttryck och form. (Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala, 74.) Stockholm: Gedin & Balzamo, 2017. (236 S.)  
Added by: joachim 13 Jan 2018 16:55:36 UTC Pop. 0%
Forceville, Charles und Marloes Jeulink: "The flesh and blood of embodied understanding. The Source–Path–Goal schema in animation film." In: Pragmatics & Cognition 19.1 (2011), S. 37–59.  
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Johnston, Robert W. "Splash Panel Adventures!" In: Smithsonian Studies in American Art 3.3 (1989), S. 39–53.  
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Gabilliet, Jean-Paul: "Du Comic book au graphic novel. L’Européanisation de la bande dessinée américaine." In: Image [&] Narrative 6.2 (2005) (Zugriff: 23. Apr. 2016)  
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Gil, Alicia: "Towards a Feminist Perspective of American Comics." In: Veljka Ruzicka Kenfel (Hrsg.): New Trends in Children’s Literature Research. Twenty-first Century Approaches (2000–2012) from the University of Vigo (Spain). (Kinder- und Jugendkultur, -literatur und -medien, 90.) Frankfurt am Main [etc.]: Peter Lang, 2014, S. 101–138.  
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Camus, Cyril: "Neil Gaiman’s Sandman as a Gateway from Comic Books to Graphic Novels." In: Studies in the Novel 47.3 (2015), S. 308–318.  
Last edited by: Deleted user 09 Jan 2018 19:01:39 UTC Pop. 0%
Michel, Chantal Catherine: "Von Abraham bis Zionismus. Jüdische Comics – Jüdisches im Comic. Ein Überblick." In: Jana Mikota, Claudia Maria Pecher und Gabriele von Glasenapp (Hrsg.): Literarisch-kulturelle Begegnungen mit dem Judentum. Beiträge zur kinderliterarischen Fachöffentlichkeit. (Schriftenreihe der Deutschen Akademie für Kinder- und Jugendliteratur Volkach e.V. 45.) Baltmannsweiler: Schneider-Verl. Hohengehren, 2016, S. 23–48.  
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Kräling, Katharina: "Superhéroes. Ein Bilderbuch für den Spanischunterricht im Spannungsfeld von Komplexität und Einfachheit." In: Eva Burwitz-Melzer und Emer O’Sullivan (Hrsg.): Einfachheit in der Kinder- und Jugendliteratur. Ein Gewinn für den Fremdsprachenunterricht. (Kinder- und Jugendliteratur im Sprachenunterricht, 3.) Wien: Praesens, 2016, S. 65–76.  
Added by: joachim 09 Jan 2018 02:21:34 UTC Pop. 0%
Morys, Nancy: "»… weil die meisten Comics einfach zu schwer sind!«. Zur Kategorie der Einfachheit beim Einsatz von Bandes dessinées im Fremdsprachenunterricht Französisch." In: Eva Burwitz-Melzer und Emer O’Sullivan (Hrsg.): Einfachheit in der Kinder- und Jugendliteratur. Ein Gewinn für den Fremdsprachenunterricht. (Kinder- und Jugendliteratur im Sprachenunterricht, 3.) Wien: Praesens, 2016, S. 87–100.  
Added by: joachim 09 Jan 2018 02:12:29 UTC Pop. 0%
Rinnerthaler, Peter: "Die Ästhetik der Vermittlung. Die Themen Flucht und Migration in Comics / Graphic Novels." In: Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung (2017), S. 114–129, (Zugriff: 9. Jan. 2018)  
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Sadjadi-Nasab, Kurosch: "Tim und Struppi am Kongo. Rassistische Stereotype in Hergés Afrika." In: Blätter für deutsche und internationale Politik 43.1 (1998), S. 94–103.  
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Boisacq, Marie-Jeanne: "Le Congo de Tintin." In: Liberator 16.1 (1995), S. 151–161, (Zugriff: 8. Jan. 2018)  
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Langford, Rachael: "Photography, Belgian colonialism and Hergé’s Tintin au Congo." In: Journal of Romance Studies 8.1 (2008), S. 77–89.  
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Chanson, Philippe: Tintin au Congo, c’est quand même un peu gros! Une relecture critique de l’imagerie nègre en perspective créole. Cartigny: Tribune libre, 1995. (59 S.)  
Added by: joachim 08 Jan 2018 01:23:13 UTC Pop. 0%
Huard, Pierre: La parodie dans la bande dessinée franco-belge. Critique ou esthétisme? (Culture et publics.) Québec: Presses de l’Univ. du Québec, 2016. (250 S.)  
Last edited by: joachim 08 Jan 2018 01:10:21 UTC Pop. 0%
Grant, Pat: Bodies on the Boards. Materiality and movement in the production of comic books and graphic novels. Thesis (PhD), Macquarie University, Dept. of Media, Music, Communication and Cultural Studies 2014 (348 S.).  
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Schöne, Daniela: "Namen im Comic." In: Muttersprache 127.3 (2017), S. 238–248.  
Added by: joachim 04 Jan 2018 23:33:35 UTC Pop. 0%
Chute, Hillary: Why Comics? From Underground to Everywhere. New York: Harper, 2017. (449 S.)  
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Costello, Brannon: Neon Visions. The Comics of Howard Chaykin. Baton Rouge: Louisiana State Univ. Press, 2017. (351 S.)  
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Feyel, Juliette: "Catel Muller et Ulli Lust, entre BD féminine et BD féministe." In: Alternative Francophone 1.9 (2016), S. 141–154, (Zugriff: 1. Jan. 2018)  
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Bumatay, Michelle: "Postcolonial Interjections. Jean-Philippe Stassen Illustrates Heart of Darkness and We Killed Mangy Dog." In: Alternative Francophone 1.8 (2015), S. 18–36, (Zugriff: 1. Jan. 2018)  
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Reyns-Chikuma, C(h)ris: "Entretien avec Catel Muller." In: Alternative Francophone 1.7 (2014), S. 71–85, (Zugriff: 1. Jan. 2018)  
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Ratier, Gilles: "Évolution de la bande dessinée en France depuis quinze ans." In: Alternative Francophone 1.6 (2013), S. 80–89, (Zugriff: 1. Jan. 2018)  
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Zezulová, Martina: Autobiographie et autofiction dans les romans graphiques Amères saisons et 1h25. Bakalářská diplomová práce Masarykova univerzita, Ústav románských jazyků a literatur 2011 (43 S.).  
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Gheno, Marine: "« Être auteure, ce n’est pas encore être ». La visibilité féminine à travers les BD de Judith Forest." In: Alternative Francophone 1.6 (2013), S. 65–79, (Zugriff: 1. Jan. 2018)  
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Mehta, Binita: "Visualizing Postcolonial Africa in La Vie de Pahé." In: Alternative Francophone 1.6 (2014), S. 52–64, (Zugriff: 1. Jan. 2018)  
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Bumatay, Michelle: "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." In: European Comic Art 5.2 (2012), S. 45–66.  
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Obiang, Ludovic: "Le Dipoula de Sti et Pahé : un Titeuf mal noirci ? Endroits et envers de la Francophonie à travers une bande dessinée franco-gabonaise." In: Alternative Francophone 1.3 (2011), S. 114–127, (Zugriff: 1. Jan. 2018)  
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Bentahar, Ziad: "Tintin in the Arab World and Arabic in the World of Tintin." In: Alternative Francophone 1.5 (2012), S. 41–54, (Zugriff: 1. Jan. 2018)  
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Schatz, J. L. und Sean Parson (Hrsg.): Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. (Critical Animal Studies and Theory.) Lanham [etc.]: Lexington, 2018. (176 S.)  
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Herman, David (Hrsg.): Animal Comics. Multispecies Storyworlds in Graphic Narratives. New York: Bloomsbury Academic, 2017. (268 S.)  
Last edited by: joachim 31 Dec 2017 17:23:40 UTC Pop. 0%
Harris, Jason Marc: "We All Live in Fabletown. Bill Willingham’s Fables—A Fairy-Tale Epic for the 21st Century." In: Humanities 5.2 (2016), S. 180–211, (Zugriff: 31. Dez. 2017)  
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Cleto, Sara und Erin Kathleen Bahl: "Becoming the Labyrinth. Negotiating Magical Space and Identity in Puella Magi Madoka Magica." In: Humanities 5.2 (2016) (Zugriff: 31. Dez. 2017)  
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Grammatikopoulos, Damianos: "Insects and the Kafkaesque. Insectuous Re-Writings in Visual and Audio-Visual Media." In: Humanities 6.3 (2017) (Zugriff: 31. Dez. 2017)  
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Alaniz, José: "‘In The Empire of the Senses’ and the Narrative Horizons of Comics." In: Humanities 6.2 (2017) (Zugriff: 31. Dez. 2017)  
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Rifkind, Candida: "Drawn from Memory. Comics Artists and Intergenerational Auto/biography." In: Canadian Review of American Studies 38 (2008), S. 399–427.  
Last edited by: joachim 31 Dec 2017 12:29:41 UTC Pop. 0%
Grennan, Simon: "Demonstrating discours. Two comic strip projects in self-constraint." In: Studies in Comics 2.2 (2012), S. 295–316.  
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Mullins, Katie: "Questioning Comics. Women and Autocritique in Seth’s It’s A Good Life, If You Don’t Weaken." In: Canadian Literature 203 (2009), S. 11–27.  
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Dunley, Kathleen: "Personal, Vernacular, Canadian. Seth’s Great Northern Brotherhood of Canadian Cartoonists as Life Writing." In: Candida Rifkind und Linda Warley (Hrsg.): Canadian Graphic. Picturing Life Narratives. Waterloo: Wilfrid Laurier Univ. Press, 2016, S. 129–152.  
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Robert, Pascal: "Le corps diplomatique. Quai d’Orsay et le corps-actant." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
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Uhlig, Barbara: "Hidden Art. Artistic References in Mattotti’s Docteur Jekyll & Mister Hyde." In: Image [&] Narrative 17.4 (2016), S. 43–56, (Zugriff: 11. Okt. 2016)  
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Dutel, Jérôme: "Le corps double ou doublé. De quelques reprises de Strange Case of Dr. Jekyll & Mr. Hyde." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
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Mao, Catherine: "Le corps incivil dans les 676 Apparitions de Killoffer." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
Added by: joachim 29 Dec 2017 18:52:31 UTC Pop. 0%
Lejeune, Marion: "Le dessin au scalpel. Corps ouverts et curiosités anatomiques dans l’œuvre de Thomas Ott." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
Added by: joachim 29 Dec 2017 18:47:19 UTC Pop. 0%
Licari-Guillaume, Isabelle: "Corporéité et subversion dans Fun Home d’Alison Bechdel." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
Added by: joachim 29 Dec 2017 18:44:35 UTC Pop. 0%
Meunier, Christophe: "Corpospatialité et iconotextualité dans La frontière invisible de Schuiten et Peeters." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
Added by: joachim 29 Dec 2017 18:41:24 UTC Pop. 0%
Gaucher, Julie: "Le corps dans Blast de Manu Larcenet." In: Isabelle Licari-Guillaume, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015.  
Added by: joachim 29 Dec 2017 18:36:57 UTC Pop. 0%
Licari-Guillaume, Isabelle, Aymeric Landot, Irène Le Roy Ladurie und Tristan Martine (Hrsg.): Les Langages du corps dans la bande dessinée. (Mouvements des Savoirs.) Paris: L’Harmattan, 2015. (213 S.)  
Added by: joachim 29 Dec 2017 18:28:07 UTC Pop. 0%
Licari-Guillaume, Isabelle: "Ambiguous Authorities. Vertigo and the Auteur Figure." In: Authorship 6.2 (2017), S. 1–16, (Zugriff: 29. Dez. 2017)  
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Glaude, Benoît: "L’auctorialité dans Marzi, une bande dessinée autobiographique en collaboration." In: Authorship 6.2 (2017), S. 1–21, (Zugriff: 29. Dez. 2017)  
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Harvey, Colin B. Fantastic Transmedia. Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. New York [etc.]: Palgrave Macmillan, 2015. (238 S.)  
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Falardeau, Mira: Femmes et humour. Québec: Presses de l’Univ. Laval, 2014. (269 S.)  
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Neumann-Rieser, Doris: "In der Uniform des Gegners. Der Comic im Österreich des Kalten Krieges." In: Triëdere 1 (2012), S. 35–46.  
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Smith, Philip: Reading Art Spiegelman. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2015. (148 S.)  
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Martínez-Alfaro, María Jesús: "Caught in the grip of an inherited past. (Post)Memory and Representation in Art Spiegelman’s Maus." In: Tamás Bényei und Alexandra Stara (Hrsg.): Edges of Trauma. Explorations in Visual Art and Literature. Newcastle upon Tyne: Cambridge Scholars Publ. 2014, S. 137–148.  
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Martin-Gómez, César et al. "Tracing Changes in Urban Architectural Infrastructure through Herge’s Comics." In: Journal of Popular Culture 50.5 (2017), S. 1065–1086.  
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Polley, Jason S. "Watching the Watchmen, Mediating the Mediators." In: Literature Compass 10.8 (2013), S. 593–604.  
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Surdiacourt, Steven: "Tying ends together. Surface and storyworld in comics." In: Comics Forum (27. Dez. 2012) (Zugriff: 19. Dez. 2017)  
Added by: joachim 19 Dec 2017 19:27:21 UTC Pop. 0%
Sanderson, Peter: The Marvel Comics Guide to New York City. New York [etc.]: Simon & Schuster, 2007. (236 S.)  
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Jordan, Joachim: "Abenteuercomics in Christian Krachts Imperium." In: Georg-Forster-Studien 20 (2015), S. 307–322.  
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---: "Abenteuercomics in Christian Krachts Imperium." In: Emilia Dentschewa et al. (Hrsg.): Traditionen, Herausforderungen und Perspektiven in der germanistischen Lehre und Forschung. Sofia: Universitätsverl. »St. Kliment Ochridski«, 2015, S. 354–367.  
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Scholz, Carter: "A Habitable World. The Brothers Hernandez." Los Bros Hernandez: Music for Mechanics. (The Complete Love and Rockets, 1.) Seattle: Fantagraphics, 1985, S. i–iv.  
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Cohn, Neil: "Climbing trees and seeing stars. Combinatorial structure in comics and diverse domains." In: Ida Toivonen, Piroska Csúri und Emilie van der Zee (Hrsg.): Structures in the Mind. Essays on Language, Music, and Cognition in Honor of Ray Jackendoff. Cambridge, London: MIT Press, 2015, S. 379–392.  
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DiPaolo, Marc (Hrsg.): Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Jackson: Univ. Press of Mississippi, 2018.  
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Crucifix, Benoît: "Mémoire de la bande dessinée dans Au travail d’Olivier Josso Hamel. Cases remémorées, redessinées." In: Comicalités (29. Nov. 2017) (Zugriff: 15. Nov. 2017)  
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---: "Cut-Up and Redrawn. Reading Charles Burns’s Swipe Files." In: Inks 1.3 (2017), S. 309–333.  
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Keating, Erin M. "The Female Link. Citation and Continuity in Watchmen." In: Journal of Popular Culture 45.6 (2012), S. 1266–1288.  
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Condis, Megan: "Failure to Launch. Not-So-Superheroes in Gravity’s Rainbow and Superfolks." In: Journal of Popular Culture 45.6 (2012), S. 1169–1188.  
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Vinci, Tony M. "Remembering Why We Once Feared the Dark. Reclaiming Humanity Through Fantasy in Guillermo del Toro’s Hellboy II." In: Journal of Popular Culture 45.5 (2012), S. 1041–1059.  
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Anan, Nobuko: "The Rose of Versailles. Women and Revolution in Girls’ Manga and the Socialist Movement in Japan." In: Journal of Popular Culture 47.1 (2014), S. 41–63.  
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Brienza, Casey E. "Sociological Perspectives on Japanese Manga in America." In: Sociology Compass 8.5 (2014), S. 468–477.  
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Madeley, June M. "Transnational Transformations. A Gender Analysis of Japanese Manga Featuring Unexpected Bodily Transformations." In: Journal of Popular Culture 45.4 (2012), S. 789–806.  
Added by: joachim 13 Dec 2017 19:43:34 UTC Pop. 0%
Postema, Barbara: Narrative Structure in Comics. Making Sense of Fragments. (Comics Studies Monograph, 1.) Rochester: RIT, 2013. (172 S.)  
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Smith, Scott T. "Comic Book Kid." In: Jonathan P. Eburne und Benjamin Schreier (Hrsg.): The Year’s Work in Nerds, Wonks, and Neocons. Bloomington: Indiana Univ. Press, 2017, S. 249–274.  
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Lecigne, Bruno: Les heritiers d’Hergé. (Le Siècle d’Hergé.) Bruxelles: Magic Strip, 1983. (175 S.)  
Added by: joachim 13 Dec 2017 11:52:02 UTC Pop. 0%
Aust, Robin-M. »Es ist ja auch eine Methode, alles zur Karikatur zu machen«. Nicolas Mahlers Literatur-Comics Alte Meister und Alice in Sussex nach Thomas Bernhard und H.C. Artmann. (Germanistische Literaturwissenschaft, 9.) Würzburg: Ergon, 2016. (156 S.)  
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Robinette, Nicholas: "Ally Sloper, Escape Magazine and the Situation of English Comics." In: European Comic Art S. 84–102.  
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Delisle, Philippe: "Flemish Comics versus Communist Atheism. Renaat Demoen’s Au pays de la grande angoisse (1950–1951)." In: European Comic Art 10.2 (2017).  
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Fresnault-Deruelle, Pierre: "A Visit from Philippulus." In: European Comic Art 10.2 (2017), S. 48–65.  
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Crucifix, Benoît: "Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel." In: European Comic Art 10.2 (2017), S. 24–47.  
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Gavaler, Chris: "Refining the Comics Form." In: European Comic Art 10.2 (2017), S. 1–23.  
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Cook, Mike P. und Ryle Frey: "Using Superheroes to Visually and Critically Analyze Comics, Stereotypes, and Society." In: SANE journal 2.2 (2017) (Zugriff: 23. Apr. 2017)  
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Gilroy, Andréa: Origin Stories. Narrative, Identity, and the Comics Form. Diss. (PhD), University of Oregon, Dept. of Comparative Literature 2015 (169 S.).  
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Holden, Philip: "“Is it manipulative? Sure. But that’s how you tell stories”. The graphic novel, metahistory and the artist in The Art of Charlie Chan Hock Chye." In: Journal of Postcolonial Writing 52.4 (2016), S. 510–523.  
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Smith, Philip: "Sonny Liew interview." In: Studies in Comics 7.1 (2016), S. 153–159.  
Added by: joachim 09 Dec 2017 14:08:19 UTC Pop. 0%
Magnussen, Anne: "Comics as historical source material. Race, ethnicity and power according to Texas History Movies." In: Studies in Comics 7.1 (2016), S. 99–126.  
Added by: joachim 09 Dec 2017 13:57:29 UTC Pop. 0%
Kennedy, Harriet: "Sorcerers and supreme chiefs. René Lévesque and Pierre Elliott Trudeau in the Bojoual Le Huron Kébékois series." In: Studies in Comics 7.1 (2016), S. 73–98.  
Last edited by: joachim 09 Dec 2017 13:52:52 UTC Pop. 0%
Gardner, Jared und Ian Gordon (Hrsg.): The Comics of Charles Schulz. The Good Grief of Modern Life. Jackson: Univ. Press of Mississippi, 2017. (220 S.)  
Last edited by: joachim 09 Dec 2017 13:26:42 UTC Pop. 0%
Garlington, Ian Stuart: "A context for the supercontext. On the function of psychedelics in Grant Morrison’s The Invisibles." In: Studies in Comics 7.1 (2016), S. 49–72.  
Added by: joachim 08 Dec 2017 18:50:47 UTC Pop. 0%
Jansen, Henning: "Masks, muscles and monkeys. Feindbilder von Deutschen und Japanern in den Fawcett Comics während des Zweiten Weltkriegs." In: Closure 3 (2016), S. 47–64, (Zugriff: 1. Jan. 2017)  
Last edited by: joachim 08 Dec 2017 18:42:54 UTC Pop. 0%
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