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Widiss, Benjamin: "Comics as Non-Sequential Art. Chris Ware’s Joseph Cornell." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 86–111. 
Added by: joachim (26 Jul 2014 20:55:41 Europe/Berlin)   Last edited by: joachim (28 Jul 2014 09:55:30 Europe/Berlin)
Resource type: Book Article
Languages: englisch
DOI: 10.14325/mississippi/9781617039058.003.0005
BibTeX citation key: Widiss2013
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Categories: General
Keywords: "ACME Novelty Library", "Quimby the Mouse", Ästhetik, Autobiographie, Intertextualität, Kunst, USA, Ware. Chris
Creators: Tolmie, Widiss
Publisher: Univ. Press of Mississippi (Jackson)
Collection: Drawing from Life. Memory and Subjectivity in Comic Art
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Abstract
This chapter examines Chris Ware’s relationship(s) with artist and sculptor Joseph Cornell. One of the elements of Ware’s artistic biography is his affinity for the work of Cornell, and this was confirmed by Daniel Raeburn in his 2004 Yale University Press monograph suggesting that Ware “reveres” the older artist. Yet Ware’s comics appear to be almost perfectly opposed to Cornell’s combinatory aesthetic. This chapter looks at autobiography as an ambivalent prospect for Ware by analyzing his comic strips such as Quimby the Mouse and The ACME Novelty Library.
  
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