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Oberreither, Bernhard: "Foto-Texte, Bild-Poesie. Zwei Überlegungen zu foto- und bildtheoretischen Implikationen von literarischen Foto-Texten am Beispiel von Arno Geigers Die Bewohner von Château Talbot." In: Journal of Austrian Studies 48.2 (2015), S. 73–100. 
Added by: joachim (23 Nov 2015 18:23:38 UTC)   
Resource type: Journal Article
Languages: englisch
Peer reviewed
DOI: 10.1353/oas.2015.0032
BibTeX citation key: Oberreither2015
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Categories: General
Keywords: Intermedialität, Photoroman, Randformen des Comics
Creators: Oberreither
Collection: Journal of Austrian Studies
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Abstract
This article examines Arno Geiger’s series “Die Bewohner von Château Talbot,” a literary photo-text with complex visual and theoretical implications that has appeared since 2010 in the journal Volltext. In the series, private snapshots of unknown origin are combined with literary texts. Photography and text appear to tell the same story. How does this collaboration function? Under what theoretical conditions does it present itself and where does the fundamental difference between the two media lie?
  
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