Bonner Online-Bibliographie zur Comicforschung
Tison, Hélène: "Loss, Revision, Translation. Re-Membering the Father’s Fragmented Self in Alison Bechdel’s Graphic Memoir Fun Home: A Family Tragicomic." In: Studies in the Novel 47.3 (2015), S. 346–364.
Added by: joachim (25 Apr 2016 07:40:24 UTC) (25 Apr 2016 07:40:24 UTC)
|Resource type: Journal Article
BibTeX citation key: Tison2015
Email resource to friend
View all bibliographic details
Keywords: "Fun Home", Autobiographie, Bechdel. Alison, Intermedialität, Photographie, USA
Collection: Studies in the Novel
Views index: 2%
Popularity index: 0.5%
Fun Home is a rereading of a family history characterized by false appearances, composed many years after the suicide, or accidental death, of the author’s father; as is not uncommon in memoirs, it relies heavily on archives, but the use to which they are put in this graphic novel is quite singular. This paper analyzes Alison Bechdel’s peculiar autobiographical mode through a focus on a few of the photos in Fun Home, all of which have been redrawn by the cartoonist, whose hand holding them is often also drawn, so that, far from merely testifying to the veracity of the narrated events, as the author insists, they greatly contribute to the complexity of the graphic and narrative composition, combining syntagmatic and paradigmatic gestures (montage and juxtaposition, superimposition and substitution) that endow this attempt to recover the figure of the father, and the father-daughter lineage, with a powerful poetic expressiveness.