Bonner Online-Bibliographie zur Comicforschung

Table of Contents

Foreword
Acknowledgements

Introduction
What Is Interesting about Boredom?
Defining a Slippery Corpus
Two Approaches and Three Authors

Part One: The Relationship between Comics and Everyday Life and Boredom

Chapter One. A Brief History of Boredom
Boredom and Modernity: New Words for a New Feeling
Avoiding or Enduring Boredom?
Heidegger and the Phenomenology of Boredom
Benjamin and the Atrophy of Experience

Chapter Two. Boredom and the Everyday in Comics
Keeping Boredom Away
Gag a Day: Repetition and Variation in Comic Strips
Escaping Tediousness: Super-hero Comic Books and BDs
From Underground Comix to Alternative Comics
In Praise of the Loser
Gender and Boredom in Alternative Comics
The Joy and the Burden of the Comics Artist

Chapter Three. Four Approaches Towards the Everyday
Grasping the Everyday
Observational Humour
Derisive Humour
Ennui
Contemplation

Part Two: The Ambiguity of Boredom in Terms of an Aesthetic Phenomenon

Chapter Four.The Poetics of Boredom
A Dynamics of Boredom and Interest
The Paradox of Boredom
A Plea for Attention
Slowness and Speed
Repetition and Variation
Minimalism and Excess
On Gestures and Facial Expressions

Part Three: The Narratological Perspective of the Dialectics of Boredom

Chapter Five. Boredom as a Narratological Concept
Uneventful Eventfulness
And So What? Tellability and the ‘Point’ of the Story
On Boredom and Narrative Tension

Chapter Six. What Happens When Nothing Happens
Linearity and Tabularity in Narrative Tension
Defying the Cliffhanger
Open-Ended Everyday and Diary Comics
When Suspense Is Suspended
Expectation Becomes the Event
Eventfulness: Too Much or Too Little?

Part Four: Focus on the Works of Lewis Trondheim, Chris Ware and Adrian Tomine

Chapter Seven. The Little Nothings of Lewis Trondheim
Minimalism, Constraints and Repetition
Rabbits and Dungeons in a Neo-Baroque Farce
The Drama of Having Nothing to Tell

Chapter Eight. Adrian Tomine: Lost Gazes, Detached Minds
From Mini-Comics to Graphic Novels and Back to Floppies
In Praise of Apathy in the Name of Honesty
Graphic Transparency and Linear Reading
Reticent Endings and Suspended Gaze

Chapter Nine. Chris Ware: Resisting Narrative Immersion
Against Immersion
Temporal Immersion: In Defence of Slow Reading
Emotional Immersion: Clear Line and Graphic Empathy
Spatial Immersion: Playing with Page Layout
(Un)eventfulness in Building Stories
Against Distraction

Conclusion
Notes
Works Cited
Bibliography