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Lus-Arana, Luis Miguel. "La Ligne Claire de Le Corbusier. Time, Space, and Sequential Narratives". Le Corbusier, 50 years later: València, 18. Nov. 2015. 
Resource type: Conference Paper
Languages: englisch
DOI: 10.4995/LC2015.2015.814
BibTeX citation key: LusArana2015
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Categories: General
Keywords: Architektur, Film, Intermedialität, Kunst, Le Corbusier, Randformen des Comics, Schweiz, Stil, Töpffer. Rodolphe
Creators: Lus-Arana
Publisher: Universitat Polytènica de València (València)
Collection: Le Corbusier, 50 years later
Attachments   URLs   https://www.academia.edu/31375077/La_Ligne_Claire_de_Le_Corbusier._Time_Space_and_Sequential_Narrativ ...
Abstract
In 1921, issue 11–12 of L’Esprit Nouveau featured an article entitled “Toepffer, précurseur du cinema” where Le Corbusier, signing as ‘De Fayet’, vindicated the figure of Rodolphe Töpffer (1799–1846), a Swiss a pioneer of comics, as a key element in the development of cinema. Marginal as it may seem, this reference unveils a deeper relationship between Jeanneret and Töpffer’s work which started in his childhood, and would have a key role in the development of some of Le Corbusier’s trademark obsessions: travel, drawing, and cinematic narratives. In this context, “La Ligne Claire de Le Corbusier” proposes a close examination of the presence of graphic narrative and its aesthetics in Le Corbusier’s early work in relation to its evolution from a sequential promenade architecturale to multispatial enjambment. The paper explores themes such as narrative and the inclusion of time in le Corbusier’s Purist paintings, or his evolution from a painterly approach to drawing to an idealized, linear and synthetic rendering style.
  
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