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Dicker, Barnaby: "André Breton, Rodolphe Töpffer and the Automatic Message." In: Gavin Parkinson (Hrsg.): Surrealism, Science Fiction, and Comics. Liverpool: Liverpool Univ. Press, 2015, S. 40–61. 
Added by: joachim (19 Feb 2017 17:43:12 UTC)   Last edited by: Deleted user (19 Feb 2017 17:53:21 UTC)
Resource type: Book Article
Languages: englisch
BibTeX citation key: Dicker2015
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Categories: General
Keywords: Frühformen des Comics, Literatur, Produktion, Schweiz, Surrealismus, Töpffer. Rodolphe
Creators: Dicker, Parkinson
Publisher: Liverpool Univ. Press (Liverpool)
Collection: Surrealism, Science Fiction, and Comics
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This chapter reassesses 20th century surrealist automatism in relation to Rodolphe Töpffer’s 19th century account of comic strip composition and production, in particular the impact of technological possibilities for autographic reproduction. It is argued that perceptions of the value and success of surrealist automatic texts and images shift when such works are understood as publishing interventions within the public sphere of production.
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