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Helms, Jason: Rhizcomics. Rhetoric, Technology, and New Media Composition. Ann Arbor: Univ. of Michigan Press, 2017. 
Added by: joachim (24 Feb 2017 23:59:59 UTC)   Last edited by: joachim (25 Feb 2017 01:19:35 UTC)
Resource type: Book
Languages: englisch
ID no. (ISBN etc.): 978-0-472-90069-5
BibTeX citation key: Helms2017
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Categories: General
Keywords: Metaisierung, Rhetorik
Creators: Helms
Publisher: Univ. of Michigan Press (Ann Arbor)
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Attachments   URLs   http://www.digital ... zcomics/index.html
Abstract
Comics, Jason Helms argues, are post-critical, reflexive, and figural, in that they combine image/text and visual/verbal elements in ways that illuminate a third, nonsymbolic rhetoric more appropriate for digital and heterotopic spaces. Blurring the line between form and content, Rhizcomics: Rhetoric, Technology, and New Media Composition offers readers a unique opportunity to engage in a rhizomatic alt-scholarship, in which the medium is the message. Rhizcomics manifests this ambitious concept by bringing together a variety of disciplinary traditions, from familiar continental theorists to ancient, modern, and postmodern rhetoricians, to comics and contemporary composition theorists. Helms calls for a decentering of typical binaries to form a rhizomatic approach to visual and multimedia rhetorics and uses comics as the main exemplar for the type of decentered writing for which he advocates.

Table of Contents

1. Introductions
2. Toward a Decentered Conceptualization of Comics
3. Heterotopia
4. Intricate Evasions of As
5. Sachen Selbst
6. Differend
7. Comics, Differend, Synthesis

Gregory L. Ulmer: Foreword
Backmatter


  
Notes
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