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Basile, Emanuele: "Maus. Questioni di narrabilità storica." In: Fictions 9 (2010), S. 81–98. 
Added by: joachim (31 May 2017 09:28:01 Europe/Berlin)   Last edited by: joachim (31 May 2017 09:44:14 Europe/Berlin)
Resource type: Journal Article
Languages: italienisch
Peer reviewed
DOI: 10.1400/138118
BibTeX citation key: Basile2010
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Categories: General
Keywords: "Maus", Ethik, Historische Themen, Holocaust, Repräsentation, Spiegelman. Art, USA
Creators: Basile
Collection: Fictions
Views: 6/127
Views index: 8%
Popularity index: 2%
Abstract
In Maus, Art Spiegelman uses graphic narrative to question the ethical foundation of representation, and the relation between historical narrative and ideology. The form of Maus implies that no authentic reconstruction of the Shoah is possible, that history is inevitably mediated and appropriated. Besides alerting us to the instability of truth and grand narratives, however, Maus focuses on the aftermath, both public and private, of the Shoah. A self-conscious quest for representation, Spiegelman’s work has changed the way in which we construct the Shoah as a historical object.
  
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