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Pagliassotti, Dru: "“People keep giving me rings, but I think a small death ray might be more practical”. Women and Mad Science in Steampunk Comics." In: Marie-Luise Kohlke und Christian Gutleben (Hrsg.): Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. (Neo-Victorian Series, 5.) Amsterdam [etc.]: Rodopi, 2017, S. 213–246. 
Added by: joachim (19 Jun 2017 17:45:15 UTC)   Last edited by: joachim (19 Jun 2017 17:46:09 UTC)
Resource type: Book Article
Languages: englisch
DOI: 10.1163/9789004336612_010
BibTeX citation key: Pagliassotti2017
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Categories: General
Keywords: Gender, Humor, Postmoderne, Steampunk, Webcomics, Wissenschaft
Creators: Gutleben, Kohlke, Pagliassotti
Publisher: Rodopi (Amsterdam [etc.])
Collection: Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions
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Views index: 10%
Popularity index: 2.5%
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Abstract
The ›mad scientist‹ arose in Victorian literature in 1818 to warn readers of the perils of unrestrained science and technology. Nearly two hundred years of subsequent appearances in literature and film have firmly established the archetype of the male mad scientist in popular consciousness. Female mad scientists, however, have been much less common. Four relatively recent steampunk webcomics – Shaenon Garrity’s The Astonishing Excursions of Helen Narbon & Co.: Or, A Voyage to the Moon (2000–2006), Sydney Padua’s 2D Goggles: Or the Thrilling Adventures of Lovelace and Babbage (2009–present), Eirin Mehlo’s Next Town Over (2010–present), Phil Foglio and Kaja Foglio’s Girl Genius (2001–present) – evolve the received stereotype, portraying female mad scientists as comic protagonists and deriving humour from their postmodern transgression of genre and gender stereotypes.

  
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