Bonner Online-Bibliographie zur Comicforschung
Quesenberry, Krista: "Intersectional and non-human self-representation in women’s autobiographical comics." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 417–432.
Added by: joachim (05 Sep 2017 12:13:35 UTC) Last edited by: joachim (07 Sep 2017 11:28:51 UTC)
|Resource type: Journal Article
BibTeX citation key: Quesenberry2017
Email resource to friend
View all bibliographic details
Keywords: "Adventures in Depression", "I Am Not These Feet", "The Story of my Tits", Anthropomorphismus, Autobiographie, Behinderung, Brosh. Allie, Finnland, Gender, Hayden. Jennifer, Körper, Krankheit, Leka. Kaisa, USA
Collection: Journal of Graphic Novels and Comics
Views index: 8%
Popularity index: 2%
Informed by life-writing, comics, feminist and disability studies, I consider autobiographical comics in which the categories of ‘female’ and ‘woman’ are directly opposed by the authors’ visual-verbal representations of themselves as avatars. Specifically, I discuss animal representations in Jennifer Hayden’s The Story of My Tits and Kaisa Leka’s I Am Not These Feet, as well as a less precise non-normative self-representation in Allie Brosh’s (Hyperbole and a Half) Adventures in Depression. I argue that comics is a medium of fundamentally intersectional self-representation, so that during experiences of illness, disease or disability, comics artists are compelled to self-represent in ‘freaked and Othered bodies’ that highlight particular aspects of their experiences not easily accessed by more normatively encoded bodies. That is to say, the categories of identity that structure composition, analysis, and histories of women’s autobiographical comics may be insufficient in describing identities that emerge and disrupt during experiences of illness and disability.