Bonner Online-Bibliographie zur Comicforschung
Rifkind, Candida: "Drawn from Memory. Comics Artists and Intergenerational Auto/biography." In: Canadian Review of American Studies 38 (2008), S. 399–427.
Added by: joachim (20 Jul 2009 01:29:29 UTC) Last edited by: joachim (31 Dec 2017 12:29:41 UTC)
|Resource type: Journal Article
BibTeX citation key: Rifkind2008a
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Keywords: "Bannock Beans and Black Tea", "Jimmy Corrigan", "Maus", Autobiographie, Gallant. Gregory, Gender, Kanada, Kollaboration, Repräsentation, Seth, Spiegelman. Art, USA, Ware. Chris
Collection: Canadian Review of American Studies
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This article examines the dynamics of father-son relationships and the problems of intergenerational collaboration in Art Spiegelman's Maus I and II, Seth and John Gallant's Bannock, Beans, and Black Tea: Memories of a Prince Edward Island Childhood during the Depression, and Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth. All three authors are critically acclaimed cartoonists and graphic novelists who use the mixed medium of verbal-visual narratives to tell stories about biological and symbolic fathers. These works reject dominant notions of masculinity and fatherhood through various forms of collaborative auto/biography and intergenerational semi-auto/biography that gravitate towards an aesthetics of smallness. The article concludes that, even as these three projects stage a reconciliation between fathers and sons, past and present, public and private, they nevertheless question the politics and practices of representing self and other in popular graphic form.
Added by: joachim Last edited by: joachim