Bonner Online-Bibliographie zur Comicforschung
Elmwood, Victoria A. "“Happy, Happy, Ever After”. The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." In: Biography 27.4 (2004), S. 691–720.
Added by: joachim (20 Jul 2009 01:30:01 UTC) Last edited by: joachim (15 Feb 2015 11:54:40 UTC)
|Resource type: Journal Article
BibTeX citation key: Elmwood2004
Email resource to friend
View all bibliographic details
Keywords: "Maus", Autorenpoetik, Holocaust, Spiegelman. Art, Trauma, USA
Views index: 4%
Popularity index: 1%
This essay considers Maus as a work that spans the genres of autobiography and collaborative biography, as Art Spiegelman negotiates the difficulties of heteropathic identification—most successfully with his father Vladek, and more problematically with his mother Anja and brother Richieu. In analyzing the ways that Spiegelman struggles to narrate an identity within a family for whose founding trauma he was absent, the essay also investigates the ways that he seeks to intervene in public debates on visual art of the Holocaust.