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Frahm, Ole: "Zwischen den Linien. Zur Kriegsdarstellung in Comics von George Herriman, Harvey Kurtzman und Jacques Tardi." In: Heinz-Peter Preußer (Hrsg.): Krieg in den Medien. (Amsterdamer Beiträge zur neueren Germanistik, 57.) Amsterdam [etc.]: Rodopi, 2005, S. 265–279. 
Added by: joachim (20 Jul 2009 01:34:23 UTC)   Last edited by: joachim (06 May 2013 15:15:31 UTC)
Resource type: Book Article
Languages: deutsch
BibTeX citation key: Frahm2005
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Categories: General
Keywords: "C’était la guerre des tranchées", "Krazy Kat", Frankreich, Herriman. George, Krieg, Repräsentation, Tardi. Jacques, USA, Zeitungsstrip
Creators: Frahm, Preußer
Publisher: Rodopi (Amsterdam [etc.])
Collection: Krieg in den Medien
Views: 9/314
Views index: 5%
Popularity index: 1.25%
Attachments   URLs   http://www.ingenta ... /00000001/art00012
This article discusses how the atrocities of war can be represented in comics. It is frequently stated that comics are affirmative or at best unable to show the realities of war. Analyzing three examples from three different times – 1918, 1951, 1992 – and from three different sources of printed media – a Sunday paper page, a short story from a comic book, a graphic novel – the article shows that the specific means of the mediality of comics not only address the question of war but also explore new ways on how to cope with war visually. The juxtaposition of word and image, the closure between the panels and the page lay-out as used in George Herriman's Krazy Kat, Harvey Kurtzman's Rubble and Jacques Tardi's C'était la guerre des tranchées, are ways of conveying ‘between the lines’ what war means, and that the meaning of war itself is a contested field.
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