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Rapatzikou, Tatiana: "Visualizations of Cyber-Gothic Bodies in William Gibson’s Trilogy and the Art of the Graphic Novel." In: Foundation 83 (2001), S. 73–86. 
Added by: joachim (21 Oct 2009 10:50:56 Europe/Berlin)   Last edited by: joachim (14 Apr 2014 13:08:12 Europe/Berlin)
Resource type: Journal Article
Languages: englisch
Peer reviewed
BibTeX citation key: Rapatzikou2001
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 Categories: General
Keywords: "Batman", "Iron Man", Adaption, Cyberpunk, Digitalisierung, Gibson. William, Literatur, USA
Creators: Rapatzikou
Collection: Foundation		 Views: 7/242
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Abstract
In the following essay, Rapatzikou examines William Gibson’s representation of human identity in his trilogy of science fiction novels—Neuromancer, Count Zero, Mona Lisa Overdrive—and how Gibson’s themes are both linked to and informed by the portrayal of the “inhuman” in comic books, particularly in the computer-generated graphic novels, Iron Man: Crash, by Mike Saenz and Batman: Digital Justice, by Pepe Moreno.
Added by: joachim  Last edited by: joachim
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