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Christiansen, Steen: "The Truth of the Word, the Falsity of the Image. Transmetropolitan's Critique of the Society of the Spectacle." In: Catriona MacLeod, Véronique Plesch und Charlotte Schoell-Glass (Hrsg.): Elective Affinities. Testing Word and Image Relationships. (Word & Image Interactions, 6.) Amsterdam [etc.]: Rodopi, 2009, S. 147–158.
Added by: joachim (30 Dec 2009 15:41:10 UTC) Last edited by: Deleted user (30 Dec 2009 15:41:09 UTC)
|Resource type: Book Article
BibTeX citation key: Christiansen2009
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Keywords: "Transmetropolitan", Ellis. Warren, Gesellschaftskritik, Großbritannien, Intermedialität, Journalismus, Robertson. Darick, Science Fiction, USA, Visuelle Kultur
Creators: Christiansen, MacLeod, Plesch, Schoell-Glass
Publisher: Rodopi (Amsterdam [etc.])
Collection: Elective Affinities. Testing Word and Image Relationships
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|Attachments||URLs https://www.academ ... y_of_the_Spectacle|
In this article, Warren Ellis’s and Darick Robertson’s [constantly called ‘Roberts’ throughout the whole article; ed.] science fiction comic book Transmetropolitan is shown to be a critique of the society of the spectacle, a warning against visual culture’s media saturation. Being at the same time both rebellious and nostalgic, the comic book reacts strongly against what it sees as the hyperreality of images, a condition which destroys meaning and empties the subject until humans are mere commodities. Using a cultural semiotics approach, I show how the comic book uses words to control the image, and to present strategies for opposition to dominant culture.
Added by: joachim Last edited by: Deleted user