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Ball, David M. "Chris Ware’s Failures." In: David M. Ball und Martha B. Kuhlman (Hrsg.): The Comics of Chris Ware. Drawing is a Way of Thinking. Jackson: Univ. Press of Mississippi, 2010, S. 45–61. 
Added by: joachim (22 Jul 2010 11:56:46 UTC)   Last edited by: joachim (29 Jul 2014 14:22:19 UTC)
Resource type: Book Article
Languages: englisch
DOI: 10.14325/mississippi/9781604734423.003.0004
BibTeX citation key: Ball2010
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Categories: General
Keywords: Literatur, Metaisierung, Populärkultur, Rhetorik, USA, Ware. Chris
Creators: Ball, Kuhlman
Publisher: Univ. Press of Mississippi (Jackson)
Collection: The Comics of Chris Ware. Drawing is a Way of Thinking
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Abstract
This chapter examines the persistent rhetoric of failure throughout Chris Ware’s comics, locating this impulse in a longer American literary genealogy that valorizes literary prestige over popularity. It argues that Ware’s self-abnegation becomes a cipher for his ambivalence about comics’ newly found role as literature, reviving anxieties around canon formation that have taken place in American literature since as early as the mid-nineteenth century. The chapter suggests that Ware uses the rhetoric of failure as a means to negotiate his attempts to place comics in the literary canon and to express his characteristic ambivalence toward the very notion of “graphic literature.” It also considers how he both evinces and performs a dialectic between artistry and commerce in his own role as author, and aligns the tension between mass market and high art within the comics medium to the rhetoric of success and failure, respectively.
  
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