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Gilmore, Shawn: "Public and Private Histories in Chris Ware’s Jimmy Corrigan." In: David M. Ball und Martha B. Kuhlman (Hrsg.): The Comics of Chris Ware. Drawing is a Way of Thinking. Jackson: Univ. Press of Mississippi, 2010, S. 146–158. 
Added by: joachim (22 Jul 2010 14:02:27 UTC)   Last edited by: joachim (29 Jul 2014 14:33:11 UTC)
Resource type: Book Article
Languages: englisch
DOI: 10.14325/mississippi/9781604734423.003.0011
BibTeX citation key: Gilmore2010
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Categories: General
Keywords: "Jimmy Corrigan", Narratologie, Paratext, Rezeption, USA, Ware. Chris
Creators: Ball, Gilmore, Kuhlman
Publisher: Univ. Press of Mississippi (Jackson)
Collection: The Comics of Chris Ware. Drawing is a Way of Thinking
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Abstract
In his graphic novel Jimmy Corrigan: The Smartest Kid on Earth, Chris Ware employs narrative content that is shaped by a paratextual framework of prose and images, dubbed “General Instructions” and “Corrigenda,” respectively. This chapter examines how these non-narrative pages inform the novel’s narrative structure and argues that the novel draws a sharp distinction between the realms of public and private history. More specifically, it analyzes the complex juxtaposition of the public history of the 1893 World’s Columbian Exposition in Chicago and the private history of the Corrigan family. The chapter demonstrates how Jimmy Corrigan weaves together a distanced, historical perspective that relies primarily on an iconic mode of representation with a more personal register that reflects Jimmy’s subjectivity. It also comments on the reading method prescribed by “General Instructions” and shows that in this version of comics theory, the reader can synthetically understand the entire meaning of the novel.
  
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