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Murray, Christopher: "Signals from Airstrip One. The British Invasion of Mainstream American Comics." In: Paul Williams und James Lyons (Hrsg.): The Rise of the American Comics Artist. Creators and Contexts. Jackson: Univ. Press of Mississippi, 2010, S. 31–45. 
Added by: joachim (11 Jan 2011 22:19:46 UTC)   Last edited by: joachim (29 Jul 2014 16:38:26 UTC)
Resource type: Book Article
Languages: englisch
DOI: 10.14325/mississippi/9781604737929.003.0003
BibTeX citation key: Murray2010
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Categories: General
Keywords: Gaiman. Neil, Großbritannien, Interkulturalität, Moore. Alan, Morrison. Grant, USA
Creators: Lyons, Murray, Williams
Publisher: Univ. Press of Mississippi (Jackson)
Collection: The Rise of the American Comics Artist. Creators and Contexts
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The Beatles’ very first appearance on The Ed Sullivan Show on February 9, 1964 was hailed by the American press as the “British Invasion” of rock and roll. Exactly two decades later, the British Invasion of American comics began when DC Comics published the twenty-first issue of its then flagging The Saga of the Swamp Thing title. Written by Alan Moore, the series helped propel the careers of many other comics writers. This chapter examines the emergence of literary themes and allusions in DC Comics during the 1980s following British writers’ entry into the U.S. comics industry. After discussing the American influence on British comics, it describes the interaction between British comics and American popular culture in order to understand the attitude of these writers toward American comics. The chapter then considers how Moore’s innovations inspired writers such as Neil Gaiman and Grant Morrison, as well as Garth Ennis, Warren Ellis, and Mark Millar. It also analyzes the early work of Moore, Morrison, and Gaiman, along with their perspective on superheroes in relation to the complex political and cultural relationship between Britain and America.
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