Bonner Online-Bibliographie zur Comicforschung
Nayar, Pramod K. "The Visual Turn. Affect, Autobiography, History, and the Graphic Narrative." In: The ICFAI University Press Journal of American Literature 2.3–4 (2009), S. 58–72.
|Resource type: Journal Article
BibTeX citation key: Nayar2009
View all bibliographic details
Keywords: "Maus", "Palestine", "Persepolis", "Safe Area Goražde", Frankreich, Historische Themen, Iran, Sacco. Joe, Satrapi. Marjane, Spiegelman. Art, Trauma, USA
Collection: The ICFAI University Press Journal of American Literature
This paper deals with a new medium of narrating history: the graphic narrative. Using Art Spiegelman’s cult text, Maus, Marjane Satrapi’s Persepolis, and Joe Sacco’s Safe Area Goražde and Palestine, it studies the strategies through which the graphic narrative delivers historical trauma, such as genocide, war, and oppression, in what it calls a ‘hypervisible history.’ It proposes that the graphic narrative is a constituent of the visual culture of affect that helps render visible what has been censored or hidden. It combines official history with the personal autobiographical mode and subverts the primacy and authority of the former. Finally, through a strategy of self-portraiture and hypostasis, the graphic narrative, as subjective documentary, generates a ‘graphic history.’ The essay argues a case for the graphic narrative as a medium for the transmission of inexpressible trauma.
PHP execution time: 0.01260 s
SQL execution time: 0.23326 s
TPL rendering time: 0.06959 s
Total elapsed time: 0.31545 s
Peak memory usage: 1.6859 MB
Memory at close: 1.5632 MB