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Bartual, Roberto: "Creation versus interpretation in To Boil a Bear." In: Ernesto F. Priego Ramirez (Hrsg.): The Comics Grid. Journal of Comics Scholarship. Year One. London: The Comics Grid Digital First Editions, 2012, S. 90–92.
Added by: joachim (08 Jan 2013 21:20:34 UTC)
|Resource type: Book Article
BibTeX citation key: Bartual2012f
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Keywords: "Hervir un Oso", Avantgarde, Millán. J., Noguera. M., Semiotik
Creators: Bartual, Priego Ramirez
Publisher: The Comics Grid Digital First Editions (London)
Collection: The Comics Grid. Journal of Comics Scholarship. Year One
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|Attachments||URLs http://www.comicsg ... as-to-boil-a-bear/|
Hervir un Oso (To Boil a Bear) is one of the most unclassifiable recent works of graphic narrative. It is a collection of apparently unrelated weird graphic and verbal ideas, based on logic and metaphorical paradoxes that may (or may not) raise interesting reflections about the nature of art and our perception of life. Roberto Bartual analyses one of these ideas, the possibility that film spectators could actually see what the director is doing in that moment, and one of the logical conclusions derived from it: that creating and intepreting a work of art are two sides of the same coin.
Added by: joachim