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Venezia, Tony: "“He do the police in different voices”. Martin Rowson’s Pulp Modernism." In: Ernesto F. Priego Ramirez (Hrsg.): The Comics Grid. Journal of Comics Scholarship. Year One. London: The Comics Grid Digital First Editions, 2012, S. 106–109. 
Added by: joachim (21 Jan 2013 00:30:34 UTC)   
Resource type: Book Article
Languages: englisch
BibTeX citation key: Venezia2012
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Categories: General
Keywords: "The 9/11 Report", "The Waste Land", Adaption, Eliot. T.S., Großbritannien, Intertextualität, Kriminalcomics, Literatur, Rowson. Martin
Creators: Priego Ramirez, Venezia
Publisher: The Comics Grid Digital First Editions (London)
Collection: The Comics Grid. Journal of Comics Scholarship. Year One
Views: 3/122
Views index: 5%
Popularity index: 1.25%
Attachments   URLs   http://www.comicsg ... -different-voices/
Abstract
Martin Rowson’s graphic adaptation of T.S. Eliot’s The Waste Land maps the themes and motifs of hardboiled detective fiction onto the frame of the poem. By reading Eliot’s notion of historical sense against the grain, Tony Venezia traces a transtextual archive of associations between modernism and popular culture that Rowson rearticulates as pulp modernism.
Added by: joachim  
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