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Weisman, Mary-Lou: Al Jaffee’s Mad Life. New York: HarperCollins, 2010. (225 S.)
Added by: joachim (01 Nov 2013 10:23:11 UTC)
|Resource type: Book
ID no. (ISBN etc.): 006186448X
BibTeX citation key: Weisman2010
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Keywords: "Mad Magazine", Biographie, Jaffee. Al, USA
Publisher: HarperCollins (New York)
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The remarkable story of one of America’s most prolific and beloved cartoonists, Al Jaffee, with dozens of original color illustrations. Jaffe’s career in cartooning stretches back to 1941—with early humor pieces for Timely Comics, a precursor to Marvel Comics—but the iconic artist remains best known for the brilliant Fold-In cartoons he invented at Bill Gaines’s Mad magazine in 1964. The cerebral and sardonic illustrations have inspired generations of Mad readers—including Stephen Colbert, R. Crumb, Gary Larson and Charles Shultz—to embrace a firm and healthy irreverence towards the status quo. New York Times columnist and bestselling author Mary-Lou Weisman helps Jaffe tell his remarkable story.
Jaffee’s inventive work has enlivened the pages of MAD since 1955. To date he has pickled three generations of American kids in the brine of satire, and continues to bring millions of childhoods to untimely ends with the knowledge that parents are hypocrites, teachers are dummies, politicians are liars, and life isn’t fair.
Jaffee’s work for MAD has made him a cultural icon, but the compelling and at times bizarre story of his life has yet to be told. A synopsis of Jaffee’s formative years alone reads like a comic strip of traumatic cliff-hangers with cartoons by Jaffee and captions by Freud. Six-year-old Jaffee was separated from his father, uprooted from his home in Savannah, Georgia, and transplanted by his mother to a shtetl in Lithuania, a nineteenth-century world of kerosene lamps, outhouses, physical abuse, and near starvation. He would be rescued by his father, returned to America, taken yet again by his mother back to the shtetl, and once again rescued by his father, even as Hitler was on the march.
When he finally settled back in America as a twelve-year-old wearing cobbled shoes and speaking his native English with a Yiddish accent, schoolmates called him “greenhorn.” He struggled with challenges at least as great as those he had met in Europe. His luck changed, however, when he was chosen to be a member of the first class to attend New York City’s High School of Music and Art. There his artistic ability saved him.
He would go on to forge relationships with Stan Lee, Harvey Kurtzman, and Will Elder, launching a career that would bring him to MAD magazine. There he found himself at the forefront of a movement that would change the face of humor and cartooning in America.
Table of Contents
1. The Wild Indian (3)
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