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Morris-Suzuki, Tessa: The Past Within Us. Media, Memory, History. London, New York: Verso, 2005. (279 S.) 
Added by: joachim (13 Feb 2014 23:44:57 UTC)   
Resource type: Book
Languages: englisch
ID no. (ISBN etc.): 1859845134
BibTeX citation key: MorrisSuzuki2005
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Categories: General
Keywords: Historische Themen, Japan, Manga, Memoria, Populärkultur
Creators: Morris-Suzuki
Publisher: Verso (London, New York)
Views: 1/107
Views index: 4%
Popularity index: 1%
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Abstract
Despite predictions of the “death of the past” and the “end of history,” the past refuses to go away. In fact, the start of the twenty-first century has seen an upsurge of interest in popular representations of history on the large and small screen, and of impassioned political conflicts over rival understandings of the past. Historical responsibility and apology have become contentious topics of domestic politics and of international diplomatic relations, and memory a profitable commodity for sale to mass markets. Against this background, how do historians deal with the problems of the search for “historical truth”? The Past Within Us approaches these issues by examining the problems of representing history in the popular media. Drawing on examples from East Asian and American as well as European history, it poses the question: What happens when accounts of history are transferred from one medium to another? How far does the medium shape the message? How can historians deploy contemporary media in ways which evoke and develop the historical imagination? From the romances of Walter Scott to Steven Spielberg blockbusters, from online Irish nationalism to Japanese revisionist comic books, The Past Within Us explores some of the more dramatic modern popular representations and reflects on the key challenges and possibilities for the communication of history in a multimedia age. From The Past Within Us: “To understand how knowledge of the past is communicated in an age of mass media, it becomes necessary to understand something of the way in which conventions have been formed, and the way in which they shape the stories that can be told about the past. Each medium has its own history, its own conventions, its own store of memories. Our understandings of events like the rise of Hitler or the outbreak of the Korean War depend not just on who is telling the story but also on whether we encounter the story in a history textbook, as a historical novel, a collection of photographs, a TV documentary or a feature film.”

Table of Contents

Acknowledgements (vii)
List of Illustrations (ix)

1 The Past is Not Dead (1)
2 Unimaginable Pasts: The Horizons of Historical Fiction (33)
3 Shadows on the Lens? Memory as Photograph (71)
4 Moving Pictures: The Filming of History (120)
5 Angles of Vision: Comic-Book Histories (158)
6 Random Access Memory: History in a Multimedia Age (206)
7 Towards a Political Economy of Historical Truthfulness (229)

Bibliography (245)
Index (265)


  
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