Bonner Online-Bibliographie zur Comicforschung

WIKINDX Resources

Maupoint, Micheline: ‘Un Bon Dessin Vaut Mieux Qu’un Long Discours’. The Role and Impact of Cartoons in Contemporary France. Dr. phil. (Thesis), University of Sussex 2010 (224 S.). 
Added by: joachim (15 Feb 2014 18:50:46 UTC)   Last edited by: joachim (27 Mar 2014 00:31:00 UTC)
Resource type: Thesis/Dissertation
Languages: englisch
BibTeX citation key: Maupoint2010
Email resource to friend
View all bibliographic details
Categories: General
Keywords: Frankreich, Karikatur, Randformen des Comics
Creators: Maupoint
Publisher: University of Sussex (Brighton)
Views: 1/147
Views index: 2%
Popularity index: 0.5%
Attachments   URLs   http://sro.sussex. ... int,_Micheline.pdf
Abstract
Cartoons have traditionally occupied an important place in French visual culture, and are now a permanent feature in even the most prestigious publications, including Le Monde, where they appear on the front page. Moreover, there is a long tradition of political cartooning which is firmly situated within the historical context of caricature and lampooning, which over the years has contributed to public debates on key issues such as politics, religion and social change. In this thesis, I focus on political cartoons and argue that the political cartoon is still significant as a cultural product and as a powerful journalistic medium at a time when the existence of the print media is threatened by new technological developments. In order to understand how cartoons remain a powerful mode of expression in the twenty-first century, I begin by examining the historical development of cartooning, tracing its origins in grotesque art, physiognomy and caricature. I then explore a number of events in early modern European history such as the Reformation and the French Revolution to show that the medium was used as a means of mass communication, to inform a largely illiterate public, incite protest and instigate rebellion through propaganda. I show how political graphics were used as effective political weapons against the ruling authorities, in the face of tight regulation such as censorship, and underline the French artists’ commitment to defend their right of expression. As I demonstrate, this commitment continues to be pursued by contemporary French cartoonists such as Plantu who is dedicated to fighting for freedom of expression and promoting peace issues, under the banner of Le Monde and the United Nations. In analysing a corpus of Plantu’s editorial creations, I underline theoretical perspectives for ‘reading’ cartoons and illuminate the visual rhetoric used by cartoonists to communicate serious issues. I conclude with an assessment of the significant role that French cartoonists played during the 2006 Cartoons War to further highlight the impact of cartoons as a vehicle for political communication, and as a catalyst for debate in the twenty first century.

Table of Contents

List of Figures

Introduction (1)

1. From Early Caricature to Modern Day Cartoons (16)
– Introduction
– The Grotesque and Caricature
– Physiognomy and Caricature
– From Caricature to Modern Cartoons
– Graphic Satire, New Technologies and the Newspaper
– Summary

2. Graphic Satire as a Political Weapon (45)
– Introduction
– Early Graphic Protest and Criticism in Europe
– The Reformation
– Henri III: Satire and Derision
– Louis XIV: Satire and Propaganda
– Caricatures and the French Revolution
– The Mechanics of French Censorship
– The Caricaturist’s Struggle for Freedom of Expression
– Summary

3. From Caricature to Political Cartoon (93)
– Introduction
Fin de Siècle and the Dreyfus Affair
L’Entre-Deux Guerres
– Editorial Cartoons and Faizant
– Plantu’s Work
– Summary

4. The Editorial Cartoon: An Act of Communication 122
– Introduction
– The Political Cartoon: An Act of Communication
– Graphic Techniques: Codes and Rhetoric
– Plantu’s Cultural Borrowings
– Plantu’s Representation of Mitterrand’s Presidency
– Political Scandals
– Summary

5. The Cartoons War Controversy (166)
Introduction
The Twelve Cartoons
Outcomes of the Controversy
French Participation in the Cartoons War
Summary

Conclusion (194)
– The Role and Impact of Cartoons
– Cartoons as a Powerful Form of Expression
– The Future of the Editorial Cartoon
– Recommendations for Future Research (194)

Annexes
1. List of Interviews (206)
2. Chronology of Cartoons War Events in France (207)
3. Manifesto: Together Against the New Totalitarianism (208)

Bibliography (211)


  
wikindx 5.2.beta 1 ©2017 | Total resources: 10830 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB) | Database queries: 50 | DB execution: 0.35466 secs | Script execution: 0.37636 secs